Habitatology is a neologistic study of the artist's habitat by creating a language to describe the geographical, sociological and psychological habitats. The Habitatology Lexicon is a dictionary of words created by combining mathematics vocabulary, music theory vocabulary and psycho-analytic vocabulary.

Habitatology also involves a study of the habitat's sounds. In H-Factor Prime,the artist recorded all the sounds from his h-factor prime (an individual's home) during an ordinary day. He catalogued all the sounds that occurred from waking up to eating lunch and composed a sound composition using the concrete sounds in chronological order. The sound composition can be played in another person's h-factor prime, thereby superimposing one habitat onto another habitat and mutating the two sonic habitats into one.

Habitatological Numbers is a video that documents and calculates all the address numbers between the artist's present h-factor prime and two of his former h-factor primes. The habitatological numbers also extend throughout the habitat and conclude at an art gallery that presented this body of work.
Situaesthetics is a theory of experience that defines the elements of a situation (the time and space where experience occurs). The elements become building blocks, not unlike DNA, of the situation’s constitution. Situaesthetics references semiotic theories, but in the end, the situaesthetic result calls into question the reliability of semiotics, since the meaning of signs becomes arbitrary when the signs are only determined by their systems. As Thomas Sebeok implies in his “Genetics and Semiotics,” there is a danger of considering a knowledge of semiotics as the very definition of life, because semiotics is its own life.